Search results for "Music technology"

showing 10 items of 14 documents

Understanding Human–Technology Relations Within Technologization and Appification of Musicality

2020

In this paper, we outline a theoretical account of the relationship between technology and human musicality. An enactive and biocultural position is adopted that assumes a close coevolutionary relationship between the two. From this position, we aim at clarifying how the present and emerging technologies, becoming embedded and embodied in our lifeworld, inevitably co-constitute and transform musical practices, skills, and ways of making sense of music. Therefore, as a premise of our scrutiny, we take it as a necessity to more deeply understand the ways that humans become affiliated to the ever-changing instruments of music technology, in order to better understand the coevolutionary impact …

appificationlcsh:BF1-990technologizationlcsh:Psychology4E (embodiedHypothesis and Theoryand extended) cognitioncoevolutionPsychologymusic technologymusic educationembeddedenactiveGeneral Psychologyhuman–technology relationsFrontiers in Psychology
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Novel and experimental music technology use in the music classroom : learning performance, experience, and concentrated behavior

2021

In recent years, music technology in the classroom has relied on general devices such as the iPad. In the current study, we used a mixed-methods approach to examine the learning performance, learning experience, and behavior of two class groups of primary school music students (N = 42), using established music technology (i.e., the iPad with the Keyboard Touch Instrument app) and novel music technology (KAiKU Music Glove). Results show a significant difference of change in test scores during learning (p = <.01) and a medium effect-size is found (d = .75), indicating use of the iPad and Keyboard Touch Instrument app contributed to increased learning when compared to the KAiKU Music Glove.…

learning experiencelearningmusiikkikasvatusmusiikkiteknologiaSocial PsychologyoppiminenInformationSystems_INFORMATIONINTERFACESANDPRESENTATION(e.g.HCI)oppimiskokemuksetCommunicationMusic technologyMusic educationHuman-Computer InteractionLearning experienceMathematics educationmusic educationmusic technologyPsychology
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Design and validation of a music technology course for initial music teacher education based on the TPACK Model and the Project-Based Learning approa…

2019

This project outlines a design for, and presents an evaluation and validation of, an information and communication technology (ICT) training course on an initial teacher education programme for pre-service music teachers at a Spanish University. The primary objective was to improve initial teacher education in music technology through a course design with two key components: (1) constructivist learning through collaborative projects (PBL) and (2) the technological pedagogical content knowledge (TPACK) integration framework. The course saw students carry out four real-life projects, three of which involved the elaboration of educational material through the exclusive use of musical technolog…

05 social sciencesMusic technology050301 education06 humanities and the artsProject-based learningMusic education060404 musicComputer Science ApplicationsEducationCourse (navigation)Mathematics educationComputingMilieux_COMPUTERSANDEDUCATIONPsychology0503 education0604 artsMusicMúsica Ensenyament
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Diseño y Evaluación de un programa informático para la educación musical de maestros no especialistas. El caso de EMOLAB.

2016

This article shows the design, development and evaluation of a software for teaching support in a music training course for pre-service non music teachers. The aim of EMOLab has been addressing to both production and perception musical activities. The assessment of software was done by freshmen enrolled in Elementary Education Teacher Training degree. They completed a questionnaire that collected their opinions (versatility, efficiency, ease of use, quality of graphical environment, adequacy, interest, facilitating learning, feedback, functionality) and perceptions on more general aspects (control, guidance, affection, consultation, verification, tracing). The data suggest that students per…

lcsh:Musical instruction and studyenseñanza asistida por ordenadorEducación05 social sciences050301 educationEducación Musical050105 experimental psychologyEducationTecnología musicalformación de maestros no especialistasComputingMilieux_COMPUTERSANDEDUCATIONnon-music teacher training0501 psychology and cognitive sciencescomputer assisted instructionlcsh:L0503 educationMusic technologylcsh:MT1-960Musiclcsh:EducationMúsica Ensenyament
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Collaborative Musical Creativity between Students and Adults: The Sonorous Paella

2021

While creativity is a key element of contemporary curriculum frameworks around the world, it is still insufficiently fostered in formal education settings. This study analyzes a project for collaborative musical creativity, entitled The Sonorous Paella. Participants (N = 12) were eight Year 4 secondary students, two professional musicians, an artist-in-residence, and a music teacher. Drawing on a graphic musical score, the participants worked together for 1.5 months to produce a group composition and performance. They were provided with various sound producers (instruments, everyday objects, technological devices) and were encouraged to flexibly utilize the physical space to maximize collab…

Tecnologia educativaMusical creativityCollaborative musical creativityVisual Arts and Performing ArtsSocial PsychologySecondary educationEducationVisual artsCiència EnsenyamentGraphic scoresArts and Humanities (miscellaneous)Music teacher educationStatistics Probability and UncertaintyEducacióPsychologyMusic technologyMúsica Ensenyament
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Understanding Human-Technology Relations Within Technologization and Appification of Musicality

2020

In this paper, we outline a theoretical account of the relationship between technology and human musicality. An enactive and biocultural position is adopted that assumes a close coevolutionary relationship between the two. From this position, we aim at clarifying how the present and emerging technologies, becoming embedded and embodied in our lifeworld, inevitably co-constitute and transform musical practices, skills, and ways of making sense of music. Therefore, as a premise of our scrutiny, we take it as a necessity to more deeply understand the ways that humans become affiliated to the ever-changing instruments of music technology, in order to better understand the coevolutionary impact …

appificationkognitiomusiikkikasvatusmusiikkiteknologiamusiikkimusikaalisuustechnologization4E (embodied embedded enactive and extended) cognitionhuman-technology relationsmusiikkipsykologiacoevolutionihminen-konejärjestelmätteknologiamusic technologymusic education
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Progress in Using an Electronic Playing Environment. A Comparative Study between Cantors and Primary Teacher Students Specialising in Music

2012

Abstract This research was executed as self-study research in a music technology learning environment designed for teacher education. It explored the functionality of music technology teaching from the viewpoints of technical, physical, and social learning environments. Moreover, connecting music theory teaching to a notation programme was studied. The target group consisted of primary teacher students, and the control group were parish cantors. The participants kept a study log and answered questions related to the teaching and subject content. These data were analysed with qualitative analysis. Group differences were examined with Mann-Whitney's U-test. Both the beginners and experts had …

educationNotation050105 experimental psychology060404 musiccantor-organist trainingPedagogylearning environmentMathematics educationComputingMilieux_COMPUTERSANDEDUCATION0501 psychology and cognitive sciencesGeneral Materials ScienceMusic technologyteacher education4. EducationLearning environment05 social sciencesMusic technologySubject (documents)06 humanities and the artsViewpointsSocial learningTeacher educationMusic theory516 Educational sciencesPsychology0604 artsProcedia - Social and Behavioral Sciences
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Guest Editors' Introduction: Music as Embodied Experience

2020

Technology has impacted music’s role in contemporary society in extraordinary ways. In addition to how people use music for professional and artistic pursuits, technology has opened a wide variety of new avenues for research and application, particularly as a reliable therapeutic and salutogenic tool. Recently, a useful framework for studying this shifting perspective surrounding musical experience has emerged: embodied music cognition, which conceptualizes the body as being at the center of music experiences. The papers in this thematic issue highlight how music technologies have matured to the point where they affect the way music is created, performed, enjoyed, and researched.

Human-Computer InteractionSocial PsychologyPoint (typography)AestheticsEmbodied cognitionCommunicationPerspective (graphical)Music technologySociologyEmbodied music cognitionContemporary societyMusicalVariety (cybernetics)Human Technology
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Fysiikan ja musiikin oppiaineintegrointi lukiotasolla

2014

Fysiikan ja musiikin oppiaineintegraatiosta on vähän tutkimusta, vaikka oppiaineet tarjoavat lukuisia mahdollisuuksia integroinnin toteuttamiseen. Integrointi auttaa tutkitusti muodostamaan opetettavista sisällöistä arjessa sovellettavia merkityksellisiä kokonaisuuksia. Tällöin opetus valmentaa opiskelijaa paremmin elämässä tarvittaviin taitoihin. Integrointi vaatii opettajilta käytännössä paljon, ja kahden aineen sisältöjen ja aikataulujen sovittaminen yhteen on haastavaa. Tämän tutkielman tarkoitus on kartoittaa lukion oppimäärän sisällä olevia integrointimahdollisuuksia ja antaa esimerkkejä integroituvista sisällöistä. Kartoitus perustuu voi-massa olevien opetussuunnitelmien, oppiaineide…

musiikkiteknologiaintegrated curriculumintegration of subject matteroppiaineintegrointieheyttäminenoppiaineetmusiikkimusicmusic technologylukiointegraatiofysiikkaphysics
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La formación tecnológica del profesorado de música en educación secundaria; un estudio de intervención basado en la integración de contenidos musical…

2021

El presente trabajo de carácter descriptivo-exploratorio forma parte de un trabajo de mayor alcance realizado en Chile y España.  Su objetivo ha sido fortalecer la formación tecnológica de los futuros profesores de música en Ed. Secundaria mediante el diseño, la implementación y la evaluación de una materia en dos cohortes consecutivas (cohortes 2017 y 2018, n= 81). En el diseño de intervención se tuvo en cuenta en su diseño componentes de alfabetización tecnológica, y dos estrategias de aprendizaje: proyectos (ABP) y trabajo cooperativo. La novedad del diseño consiste en la adaptación de un marco teórico de integración de contenidos disciplinares-tecnológicos-pedagógicos denominado TPACK q…

Classroom teachingSecondary educationPedagogyMusic technologySociologyProfessors FormacióTechnological literacyEducationCooperative workMeaning (linguistics)Música Ensenyament
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